Grosz (2017)
This is a series of short nearly wordless comics, arranged chronologically, that form a biography of the caricaturist best known for his visualization of the Weimar Republic. George Grosz (1893–1959) was a German fine artist, cartoonist, and teacher who drew from pop culture, was active in the Dada and New Objectivist movements, and was an influence for artists like Ben Shahn. (His antiwar painting, Eclipse from the Sun, would inspire Vietnam protesters.) In this graphic biography, written and drawn by Fiske, angular art lays Kandinsky-like lines over scenes set in anything-goes, post–World War I Berlin: connecting, emphasizing, tracing movement. Curves evoke the fleshy sex of Grosz’s work. (Fiske channels the exuberance and fascination with line that typified Grosz’s work, and more generally early to mid-century art movements.) Symbolically, Fiske uses two colors―red for Berlin, a slash of Grosz’s lipstick, a flash of tie―and green for the jazz and trains of New York, where Grosz would flee from Nazi Germany.
Shangri-La (F) (2016)
Several hundred years into the future, mankind lives on a space station ruled over by a multinational with a true cult following. At first glance, everyone seems satisfied with this "perfect society". In this setting, some men struggle to push past their limits and become gods. To do this, they put into place a program designed to create life from nothing in Shangri-La, one of the most hospitable regions of Titan, where they intend to enact their version of the book of Genesis.
The Hollow Grounds HC (2004)
The first chapter, CARAPACES features six short stories, each centered on the devastating effects of man's desire. ZARA tells the tale of a hollow planet inhabited only by women and the tumultuous appearance of the first men. NOGEGON follows the main characters of ZARA in a murder mystery on a world where gravity is weak, but love is strong.